Gain full access to show guides, character breakdowns, auditions, monologues and more! The script calls for two younger actors to play Lil Bits classmates and also, in a sly subversion, her grandparents, but Gold and Myers make stiff impersonations of elders. Feelings which she is ashamed of and horrify her but she can't seem to shake. How I Learned to Drive. In a roundabout way, she has a good point: that trauma can beget trauma if isnt handled well. Even at this early age, Lil Bit is aware of a potential sexual element that she is keen to prevent. Despite that, what he says after stays with Lil Bit and throughout her life she continues to view the act of driving similarly to her uncle. The original cast:[5], A production ran at Center Stage in Baltimore in 1998 and was directed by Barry Edelstein. The play premiered on March 16, 1997, Off-Broadway at the Vineyard Theatre. In one scene, in which Peck teaches an unseen young cousin how to fish, Morses carefully calculated portrayal is its own minute brand of seduction Morse invites the audience to fall under his characters spell. WhenLilBit goes to college, Peck frequently sends her gifts and flowers. But this dynamic is twisted by the sexualization of their relationshipwhich is why they switch roles here, with Lil Bit playing the moral authority and Peck, for want of a better word, flirting. This, of course, is a particularly significant birthdayas becomes clear shortly. Telephone poles evoke the open roads in and beyond Lil Bits rural Maryland home, and Mark McCulloughs vivid lighting design, from the cool lapis of the early evening to the prismatic splay of teal, turquoise and rose pink that coyly suggests sunset, are the clearest signifiers of the productions shifting settings and tones. Present-day Lil Bit then reveals that she flunked out of school because she was drinking too much and spent the rest of that time period driving through the night. This reveals that the grandmother is disappointed in Lil Bits mother for falling pregnant early in life. And Little Mary Jane just laughed and laughed because she knew her money was in her shoes.. The scenes jump. Every day brings another gift and note from Peck, which seem to be counting down to her eighteenth birthday (when it becomes legal for them to have sex). The whole set-up gives him a quasi-legitimate reason to ogle Lil Bit. PDFs of modern translations of every Shakespeare play and poem. Li'l Bit reveals that she eventually lost her scholarship and was expelled from college because of a drinking problem. Though she accuses him of going over the line here, the viewer knows that he has already gone over the line on many occasions before. The script is a memory play told largely out of chronological order, with the first scene taking place in 1969 in a parking lot in rural Maryland. This link seems to show that, despite moments of affection and confusion on Lil Bits part here and there, the relationship is inherently abusive. This offers the reverse perspective of the above, as the mother blames the grandmother for not being a better role model/confidante. Report abuse. They're like having in-class notes for every discussion!, This is absolutely THE best teacher resource I have ever purchased. He s the kind of person who is easy to admire: How i learned to drive is the pulitzer prize winning story of a woman who learns the rules of the road and life from behind the wheel. Peck is, on the surface of it, a good man. Li'l Bit reveals that the years of trauma from Peck has finally caught up with her, leading to her not focusing in school and failing her courses. How I Learned to Drive is a play written by American playwright Paula Vogel. Another insightful monologue byRebecca Gilman from her play "Spinning into Butter." Well worn territory, however, this is such a funny monologue that it works even if the audience knows what is coming. THE STORY: A wildly funny, surprising and devastating tale of survival as seen through the lens of a troubling relationship between a young girl and an older man. A boy asks her to dance at a school sock hop, but Li'l Bit refuses, believing he just wants to see her breasts "jiggle" while she dances. David Morse and Mary-Louise Parker in Paula Vogels play How I Learned to Drive, at the Samuel J. Friedman Theater in Manhattan. Vogels script creates its own piercing language for assault, harassment and all the ways our society reinforces regressive ideas about gender, sex and consent. The female chorus removes Pecks pedophilia from being his responsibility by linking it to troubles brought on by external events and his repression of emotions. (including. As a subscriber, you have 10 gift articles to give each month. In their first driving lesson, she sat on his lap and steered while he pushed the petals. Our, "Sooo much more helpful thanSparkNotes. [1] The theatre presented a first reading. As she adjusts the rearview mirror, his spirit is in the back seat, and the two exchange a sympathetic look beforeLilBit floors it and the stagegoesblack. She announces that "sometimes to tell a secret, you first have to teach a lesson." She sets out the opening setting of the play: a moonlit summer night in Maryland in 1969, when she is seventeen years old and thinks she "knows it all." 5.0 out . A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality study guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics. The scene flashes forward to 1969, Li'l Bit's freshman year of college. Start toward bottom of page 64: Ive been struggling with this Cut all of Ross lines. The scene switches to North Carolina, where Peck instructs his nephew,Bobby,how to fish for pompano,which Peck callsfrisky and shy little things (24). This is a good monologue for a teenage or young adult female. She is impressed with his willingness to do the chores, which he says is what women deserve from men. An 11-year-old Li'l Bit fights with her mother about going on a seven-hour car trip to the beach with Uncle Peck. Lil Bit is clearly struggling to process her relationship with Peck, and this struggle is inflicting on everything in her life. His gift of a car is an attempt to win favor and also a way of implying his authority. The mother fell pregnant at an early age and had a bad relationship with the Lil Bits father. This is a beautiful moment in which Lil Bit demonstrates her intellectual superiority, even at her young age, over her grandfather. Or maybe someones implanted radio transmitters in my chest at a frequency I cant hear, that girls cant detect, but theyre sending out these signals to men who get mesmerized, like sirens calling out to them to dash themselves on these rocks. The relationship is inherently unequal and unstable, with Lil Bit feeling nothing of the loyalty and commitment to Peck that he imagines. WhenLilBit leaves the table, Peck comforts her. Detailed explanations, analysis, and citation info for every important quote on LitCharts. Here, Vogel mixes two memories together. Instant downloads of all 1715 LitChart PDFs Its noticeable that, despite him saying that her mind is. In June 2019 the play was performed in Singapore by Wag the Dog Theatre Ltd., with Victoria Mintey as L'il Bit and Sean Worrall as Uncle Peck. white lines on the road. From the creators of SparkNotes, something better. Its rare to encounter the kind of breathless silence I experienced during an unnerving hotel room scene in the unforgettable revival of Paula Vogels How I Learned to Drive.. She praises the virtues of her husband: how he does the chores round the house, helps out the neighbors, works overtime to buy her jewelry etc. Anyone can read what you share. Like the off-stage voice, the line recurs throughout the play and is borrowed from the vernacular of driving, e.g. Running time: 1 hour 40 minutes. Implicit in his statement is that men have control over women. As in the earlier conversation around the dinner table, Lil Bit is defined by her breasts. LilBit is hesitant because shes underage but eventually drinks until shes intoxicated. !, The comedic female monologues in the play. Running. *FREE* shipping on qualifying offers. This is being done for a class called improvisation as an acting techn. [15], In 2015, the play received its first professional London revival at Southwark Playhouse, starring Olivia Poulet as Li'l Bit and William Ellis as Peck, directed by Jack Sain, produced by D.E.M. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. The female choruss lines emphasize the way unequal gender stereotypes are propagated by an acceptance that they are merely the facts of life. Lil Bits imaginative image for her breasts is a sci-fi-inspired way to demonstrate that she feels that her whole identity is being subsumed into her objectification as a sexual object. The tuning of the radio is symbolic tooshe cant forget the voices of the past, but she can choose to prioritize others. The title of this scene as introduced by present-day Lil Bit is intentionally comic. Pecks comparison of Lil Bits breasts to cathedrals is a suggestion of the primacy of being youngto him, no cultural achievements can match the body of a beautiful teenager. This scene takes the audience back to the earliest point in the chronology of Pecks sexual behavior towards Lil Bit. Research Playwrights, Librettists, Composers and Lyricists. The production opened February 13, 2012 and was favorably reviewed by The New York Times. Now that shes old enough, says Lil Bit, she wishes she could ask him: who did it to you, Uncle Peck? Lil Bit categorically doesnt want to be defined by her appearance, wanting to use her mind in life rather than her body. The official-sounding voice announces: You and the Reverse Gear. This takes the action back to 1965, in which a thirteen-year-old Lil Bit is being photographed by Peck in his basement. She explains her family's penchant for handing out nicknames based on genitalia, which is why she was branded with the alias Li'l Bit for life. Peck is not an unattractive man, on a purely aesthetic level, and Lil Bit undeniably feels a degree of physical attraction toward him. At this point, the female chorus jumps in as Aunt Mary, Pecks wife. The original text plus a side-by-side modern translation of. by Paula Vogel. The way the content is organized, LitCharts assigns a color and icon to each theme in, An official-sounding voice announces, Safety first You and. Vogel wrote the play at the Perseverance Theatre, Alaska, where she was in residence. Pecks drinking of the champagne indicates his destabilization as it begins to dawn on him that things wont go to plan. It is Christmas in 1964. The action flashes forward briefly to 1979, when. The female choruss mention of Uncle Peck is intentionally grotesque, underscoring the inappropriateness of his sexual attraction to his niece. "[20], The CurtainUp reviewer of the original 1997 Off-Broadway production wrote: "Ms. Vogel has achieved the seemingly impossible: A story about a disturbing subject, pedophilia, that is as funny--yes, really,--as it is disturbing. Sign up today to unlock amazing theatre resources and opportunities. By seeing a man act atypically for his gender, Lil Bit is impressed by Peck and feels sympathy towards him. Li'l Bit. This monologue needs performance layers like this embedded to succeed in audition. LilBit, somewhat assured, continues the shoot. Read more. How I Learned to Drive, a play written by Paula Vogel, premiered Off-Broadway in 1997 and won the Pulitzer Prize for Drama in 1998. In a monologue, Aunt Mary explains that Peck is a good man who never recovered fully from the trauma of World War II. How I Learned to Drive is produced with Daryl Roth and Cody Lassen in association with the Vineyard Theatre. Through non-chronological flashbacks,LilBit, now in her forties,uses learning to drive as a metaphor for her learning about sex, and about life, from her aunts husband,Peck, with whom she has a sexual relationship. This play has some character interaction, but mostly it is filled with beautiful "modernsoliloquies." Peck is right: she is scared. More surprisingly, it clarifies the patterns in the relationship between niece and uncle: of degrees of responsibility, feelings of guilt and shifts in power. The off-stage voice indicates a shift in the action, calling out: . New York, NY, Shakespeare in the Woods 2023 Season The female chorus advice does not provide Lil Bit with useful guidance about sexit merely says to avoid it. Vogel received the 1998 Pulitzer Prize for Drama for the work. You'll be able to access your notes and highlights, make requests, and get updates on new titles. Viewing Peck through the prism of a myth shows that she is attaining an increasing sense of distance from the relationship and its traumatic effects. These, too, cause Lil Bit confusion: she likens her breasts to hostile alien life forces and radio transmitters, sending out siren-like signals to men in order to attract them to dash themselves on these rocks. At the school dance, Lil Bit refuses to join in any of the fast numbers, afraid that the boys just want to see her jiggling.. This scene starkly demonstrates just how young Lil Bit is during her encounters with Peck. Perhaps in order to prevent the audience from feeling too much sympathy for Peck, the teenage chorus introduces this anecdote. How I Learned to Drive in Performance PAULA VOGEL VOGEL + HOWILEARNED TODRWE 1585 though he isa predator, Unele Peck isnot necessarily a villain in the play He rakes advantage of Lil Bit starting at age eleven and continues until she is eighteen and in college. Research Playwrights, Librettists, Composers and Lyricists, See more monologues from The final line of Emilys monologue is on the top of pg 217 is Im ready to go back. Li'l Bit sits in the car with Uncle Peck, only she doesn't speak her lines out loud. He promises not to show them to anyone and that he loves her. Productions for Fools & Kings Theatre, with set and costume design by Katharine Heath, lighting design by Ziggy Jacobs, and composition and sound design by Nathan Klein.[16]. You'll also get updates on new titles we publish and the ability to save highlights and notes. 37-39. If you can make pent up frustration funny, then you have your finger on the pulse of this humorous monologue. And Day is at her best when she embodies Lil Bits mother and Aunt Mary. -How I Learned to Drive is not told with a straightforward plot but is instead an uneven mixture of flashbacks, narration, monologues, and the kind of impersonal voice-over that you would here in driver education films -this play is not actually about how she learned how drive; its about how she LEARNED HOW TO DRIVE Conclusion If you can relate to a character who loves shoes and is open enough to dish on the disasters of her dating life,then this play is worth a look. Lil Bit uses humor partly to help her deal with her experiences, but it also shows a certain amount desensitization (in this instance at least). The packages contain notes in which he counts down the days until she returns. The dramatic and comedic monologues from the play. The play doesnt sink with the gravity of its subject matter; it finds moments of levity without minimizing the tragic parts of the story. Detailed quotes explanations with page numbers for every important quote on the site. The mother and grandmother have an argument in which it is revealed that the mother is resentful for her grandmothers unwillingness to provide guidance about sex to her when she was younger. My students love how organized the handouts are and enjoy tracking the themes as a class., Requesting a new guide requires a free LitCharts account. Like youre being looked at all the time? There's a reason she won the 1998 Pullitzer for her play "How I Learned to Drive," in which this monologue appears. As they lie there, Lil Bit feels conflicted and almost kisses Peck, drawing back at the last moment. The play is structured as an intimate collection of memories roughly organized around a set of rules about the basics of driving, as if someone had sneaked in a series of watercolor portraits between the pages of a drivers manual. At her most vulnerable she seems to fold into herself like a work of origami, hinging at the waist, tucking a bent knee beneath her, clutching her legs to her chest. Theyre unpredictable, erratic. '"[3], How I Learned to Drive premiered Off-Broadway in a production by the Vineyard Theatre (Douglas Aibel, Artistic Director; Jon Nakagawa, Managing Director) on May 6, 1997, and closed on April 19, 1998, at the Century Center For The Performing Arts. A female monologue from the play How I Learned to Drive by Paula Vogel. This is a good monologue for an adult female. The advice Lil Bit receives in the play is almost invariably bad and more often than not is about maintaining the status quo. Peck uses his position as a father figure to keep Lil Bit on his side. Mother tries to be helpful in explaining topics such as orgasms and consent, while Grandmother wails that Li'l Bit is too young to know about sex and uses scare tactics to keep her from doing it until she is married. This is in no way intended by Vogel to blame her for what happens, but instead to highlight the complicated mix of seemingly contradictory emotions involved in the relationship. Instant PDF downloads. His suggestion of oysters is also a queasy moment for the audience, given that they have a reputation as an aphrodisiac. Peck is trying to coerce Lil Bit into consent. Li'l Bit reflects on how she is ready to move on with her life, and that despite everything she has been through, she can thank her Uncle Peck for one thing: the freedom she feels when she drives. How I Learned to Drive Play Writers: Paula Vogel Monologues I don't know.Maybe it's just me, but d. Lil' Bit How I Learned to Drive 6 All monologues are property and copyright of their owners. The next vignette begins with the off-stage voice saying, Were You Prepared?. The sex in this instance is undeniably consensual, and so is markedly different from anything Lil Bit did with Peck. During a driving lesson in 1967, Peck tellsLilBit he wants her to know the car well and helps her adjust the seat and mirrors. October 2019. When Bobby begins to cry thinking of the fishs pain, Peck comforts him, inviting him to join him for a secret meeting in a treehouse. LilBit tells Peck she is struggling in school, that she knows why hes excited forher eighteenth birthday,and that she cant see him anymore. The transition to this 1967 scene is made possible by Vogels use of the Greek choruses, which allow her to jump suddenlybut seamlesslybetween different points in time and space. The play was directed by Mark Brokaw, set design was by Narelle Sissons, costume design was by Jess Goldstein, lighting design was by Mark McCullough, and the original sound design was by David van Tieghem. Ok. Little Mary Jane is walking through the woods, when all of a sudden this man who was hiding behind a tree jumps out, rips open Mary Janes blouse, and plunges his hands on her breasts. The next flashback takes place in a fancy restaurant in 1968. This particular recollection hints at Lil Bits struggle to process her relationship with Peck and how this struggle negatively impacts her life. "[2], Vogel explained: "she intended the play 'to get the audience to go along for a ride they wouldn't ordinarily take, or don't even know they're taking. Struggling with distance learning? The women are at various points in their lives, opening up to reveal personal stories related to a string of pearls that, without their awareness,connects them. My working theory is that the Friedman has a fountain of youth stashed somewhere backstage; I dont have another explanation for Parkers agelessness. The classmate says she wishes she had her problems and that she should go easy on the boy. Here is how to cut text in script to get the monologue: Start on top of page 217: Oh Mama, look at meCut everything from That in the yellow paper to the line wheres my birthday girl. Continue Emilys monologue with I cant. This, of course, is not how Lil Bit sees it, which is why she rejects his question about other men. Excited and nervous, she takes up the drivers seat but cant reach the pedals. Peck thinks of himself as a legitimate lover threatened by potential others. Patricia Reyes. Pecks absurd promise highlights the transgressive nature of their relationship in relation to societys norms. New York, NY, Shakespeare in the Woods 2023 Season Li'l Bit breaks from this scene to describe her family to the audience. One night he [7], The play was produced at the Arena Stage in Washington, D.C. in 1999, directed by Molly Smith. Remember? LitCharts Teacher Editions. Li'l Bit reflects on why her uncle may have molested her, wondering if someone did it to him when he was a child. A woman observes a man hanging onto his sanity by a thread. Monologues are presented on StageAgent for educational purposes only. 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By seeing a man act atypically for his gender, Lil Bit on his side so markedly. Impacts her life is, on the pulse of this humorous monologue play `` Spinning Butter!, however, this is such a funny monologue that it works even if the audience from feeling much! Statement is that men have control over women on him that things wont go to plan symbolic. To be defined by her breasts interaction, but she ca n't seem to shake Drive, the! Up the drivers seat but cant reach the pedals my working theory is that men have control women! This monologue needs performance layers like this embedded to succeed in audition takes..., and citation info for every important quote on the boy that he imagines his authority Pecks behavior! Earliest point in the play premiered on March 16, 1997, Off-Broadway at Perseverance., Pecks wife underage but eventually drinks until shes intoxicated to 1965, in which Bit... The next flashback takes place in a monologue, Aunt Mary with beautiful `` modernsoliloquies. to ogle Bit!